Admittedly, the departure of the two hype men, Keith and Maxim, makes for an obvious difference in the sound, but they’re only a small factor of the big equation, and the other parts more than make up the sum needed to sustain an interest in the band. All the trademark gimmicks are there, but everything just feels a little different somehow.
#THE PRODIGY SPITFIRE HOW TO#
Well, I guess somebody had to teach everyone else how to do it properly.Īlways Outnumbered, Never Outgunned is an interesting addition to the world of The Prodigy. But the question remains, how do you follow up one of the most commercially profitable and critically acclaimed albums of all time? Well, this is what Liam Howlett did toured the world extensively for 2 years, released a mix cd, released a sub par remix of one of his fellow band members side projects, then ditched said band members and proclaimed that the following album was to be a ‘personal project’ to the dismay of all those who were waiting patiently, then finally released said album, 7 years after his previous ground breaking effort. But then again this is The Prodigy, and rules and protocol are for other people.
#THE PRODIGY SPITFIRE FREE#
Normal procedure in said situation would be as follows gather around you all the forces and creative team that were with you in the last round, feel free to ‘experiment’ with what’s tried and true but don’t deviate too much from the blueprint you set earlier, and above all, while it’s alright to put out an album that isn’t as great as the last one make sure it’s an album that all your fans would want to proudly display in their collection. There is certain protocol when it comes time to follow up a successful album, especially when said album is widely regarded as one of the greatest ‘dance’ albums ever released. Review Summary: If I was in World War II they'd call me Spitfire
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